Results tagged ‘ Adam Lambert ’

Looking Back at the Rays 2010 Concert Series…Part 2

 


 

So after a few days getting over a slight bit of misfortune of food poisoning eating some I relish…a hot dog, Ironically, it was my last hot dog of the year at a local High School football game against a bitter inner-city rival that took me down…Figures, thanks Northeast H S.


No more stalling, time to get this final edition of the Rays 2010 Concert Photos underway. One of the greatest thing I like about music is that the first few song of the musician’s sets are sometimes pre-programmed to get the crowd into a rising energy so that the concert can take a particular flow throughout the night.

The first seven concerts of the 2010 Rays Friday Fest and Rays/Hess Express Saturday Night Concert Series definitely set of tone for the final second half. From John Fogerty to Barenaked Ladies, the Rays concert events began and uphill turn that never ended to the last event of the year, Bret Michaels. Each of the 14 concerts this year left a special mark with me. I was lucky to take photos during 12 of the 14 Rays concerts and get in tune with practicing my concert photography.

 

I am not a professional photographer, and my little Fuji S5100 has seen better days (Thanks drunken Yankee fan), but I think I do the best with what I got. Sure would love a $ 4,000+ Canon or Nikon camera body and a lens as long as my arm, but that is not in the slim, money-less budget right now. Now back to the awesome years in Rays music.


 

 

Vanilla Ice did not attract as many to the Trop’s infield as I might have thought for his concert, but it was the most high energy event of the year. Vanilla Ice has changed his modes operandi to push more towards the hard guitar and drumbeats that pumped through the crowd like a large heartbeat. Combine that with the (I thought) whimsical idea of Vanilla Ice trying to get the photographers’ wet, and you get a audience/photog participation event. This was the first of three straight Friday Fest concerts that would hit all spectrums of the music World, and it hit on all levels.


Sure most in the front photo pit with me that day did not totally see eye-to-eye with the whole water and expensive cameras’ bit, but I was laughing and having a good time dodging the 20 ounces of unexpected water, and a few time Vanilla Ice looked down and smiled at me that I seemed to have understood it was part of his method…or his madness. It was tied for my favorite Rays concert offering of the season, and a great way to push off the second half of the concert schedule.

 

Of course there was one concert missing from this list this season, and I want to send out good vibes hoping that GoGo’s guitarist Jane Wiedlin recovers perfectly from her ACL injury sustained when she fell while hiking near her home in California. With up to a year recovery time for such an injury, hopefully we can again see the GoGo’s possibly perform in the future. It is a great concert event that I have not missed (even in Jannus Landing) since the band first started coming to the Tampa Bay area.


 

 

Los Lobos is one of those bands that I do not think would have ever hit y musical tastes if not for their great rendition of the classic Ritchie Valens “La Bamba“. I also would not have known that recent Oscar winner T-Bone Burnett produced their first album “How Will the Wolf Survive” and one of the songs from that album is playing over the opening credits to the Sean Penn/Robert DeNiro classic “Colors“.


My first tastes in live music were preserved in a small beachside bar in Maderia Beach, Florida that a certain well known Florida ocean troubadour used to frequent named Jimmy Buffett when he came up to see his band pal Mike Utley.

I got used to hearing tunes that flowed with the waves and just seemed to roll in the ears and settle for a while to sit and ponder things. I got the same vibe from this Friday Fest concert by Los Lobos. It might have been more refined to a South Texas border town that a beach resort on the Gulf of Mexico, but the whole time I was wishing for a boat drink…or a shot of Avion (thanks Entourage).


 

 

The next Rays Friday Fest event featured a band that to this point had to be the most audience involved and totally choreographed dancers of the Rays concert series. Felt kind of eerie at first covering the Village People concert more for the fact of having to remember what I wore back then, and seeing myself again with long curly hair, but I took one for the team here.

Seriously, it was a great event in that we got to see most of the original members of the band still out there supporting their music and dancing their well known routines. But it did seem a bit unusual to me to see rhinestones and glitter on a construction worker…just saying.


It was another high energy night and a great moment if you are fond of the 1970’s or even want to remember back that far. I even found a bit of glitter all over me camera when I took it out of my backpack when I got home. As a nice sidebar to this concert, after I posted my concert review, the Indian from the Village People actually Direct Messaged me on Twitter with a cordial thank you for covering the event. It was a great time in my life, so maybe I should thank him again for helping remember some great moments in my life sans the platform shoes.

 

 

Train really did roll in to the Trop for the next concert event. This is one of those bands right now that are right on the cusp and thoughts of so many in the music World because of their song “Hey Soul Sister” plus the million of samplings of the song in countless commercials and advertisements Worldwide right now.


Train front man Pat Monahan also did one of the coolest things I have ever seen done ( so far) during a concert when he posted two pictures of the crowd during their song “If It’s Love” that I still have as my desktop background on my aging laptop. Monahan also became the second performer to do an infield sprint around the Trop when he started an impromptu walkabout from the stage to the area near the Visitor’s dugout.

Reminded me a lot of the same run M C Hammer had done two years earlier, but Monahan seemed more at ease strolling amongst the 4,000+ fans on the Rays Field Turf.


 

 

Allison Iraherta was not originally suppose to open for Adam Lambert, but Orianthi had to pull out of the opening act gig after some family situations. Iraherta still looks a bit nervous and wooden on stage, but her music more than makes up for any sense of clumsiness or irrational movements on stage. But the raspy voice of this young woman definitely makes you remember her voice and her music.


She has one of those resounding voices that brings back memories of past singers like Janis Joplin or even Joan Baez. Iraherta will definitely be on that “one to watch” list, and opening for Lambert will get you some extra exposure she desperately needs to get noticed beyond her huge American Idol triumphs. In time the stage set will mellow out and become more fined, and with that the star in the center of the stage belting out those tunes will shine brighter.

 

 

What can you say about Adam Lambert’s concert. Well, I guess my concert review was good enough to still be placed on his International website and with that came over 78 comments within 24 hours. Got to tell you I always know bands have their followers, but this guy definitely has an army ready, willing and able to carry out his wishes. But the concert was even more amazing to me than the response by his followers. It really was stage musical to me. Set with great costumes, gyrating dancers and spectacular musicians playing some incredible music.


For effect, this concert was tied for the best concert event (with Vanilla Ice) of the year for me. It has a little bit of everything to it. And the wildest part is that one of my photos was also popped on the Lambert website and I took it from over 100 yards away since this is one of the two concerts I did not get approved for ahead of time…how ironic is that.

But it was a fantastic journey of music performed by Lambert, and his dancers brought a great melding of it all together into something worthy of the Broadway stage. Some might say it is more of a stage show than a concert, but I remind you that David Bowie and countless other have done just the same thing for a long, long time.


 

 

Last, but definitely not least is the Rays Saturday Night Concert I was waiting for all year. The climax at the end where I got to see another artists that every time he comes into the Tampa Bay area as a solo artist, I am in the crowd. The last time was in a more fan-friendly environment of Ruth Eckerd Hall, but no matter where you put him, Bret Michaels is all about the music and a good time.


When the announcement was originally made near the end of May, it might have seemed to ambitious or even ill advised for Michaels to throw himself back into his musical tour so early after his health situations, but that is one of things that endears you to him…his strength, fan commitment and his desire to do what he loves to do….sing to the masses.

Some might say the night was not as energetic or the usual ” Bret Michaels” show. But to me it was a celebrate of his music and a way for all of us to send some healing vibes and also sing a few classic tunes that always stick in our minds. Michaels even did the Country version of “Every Rose Has Its Thorns“, and it was taken in by the crowd like it was the original. For myself, it was the perfect ending to the Rays 2010 concert series. I was taken photos of a rock icon who had taken a dirty and dangerous road of medical problems and whisked them away like road dust to sing.


 

Some say these Rays concerts were devised for the pure sake of escalating Rays attendance figures and bolstering their overall yearly numbers while most of the Major League Baseball teams were experiencing up to 6-10 percent decreases in their yearly attendance numbers.

Sure that reasoning is true, but I kind of look at it another way. It is also a way for the Rays entire staff and the Rays Republic to collectively celebrate this great team we have here, and also enjoy some great music.


Thank You Rays for this year’s Concert Series. Looking forward to another killer schedule in 2011.

General Lambert and the Glam Nation Invade Tropicana Field

 
 
It was kind of funny to hear Depeche Mode’sPrecious” being played before the beginning of Saturdays night’s Tampa Bay Rays/Hess Express Saturday Night Concert Series event with Glam rocker Adam Lambert. More for the fact it set the pace of the evening where our master of disguises, Mr. Lambert himself showed us why he is going to be a force to be reckoned with for years to come. And as soon as he came onto the stage tonight it was evident why people see him as a hybrid of so many great legends of music all rolled up into one.  

Lambert has the stage presence of Elton John, the wardrobe changes of Cher, and is boosted by a voice that seems to scream the vocal artistry of Queen’s great front man, the late Freddie Mercury. Boosted by enough glitter on himself and his entourage on stage to make any Mardi Gras float envious and jealous, it was Lambert’s voice tonight that made you forget some of his stage distractions and immediately concentrate upon the lyrics and the songs we have all come to associate with Lambert’s flair for the theatrical. 

And his theatrics on stage both through his stage riser in the center of the stage mixed with a brisk and totally popping choreographed dance segments push the envelope between both an audio and visual extravaganza that makes you take a step back and collect your breath, then begin to sing along with the singer on his tunes that have shocked, awed and also entertained us ever since he broke off the American Idol stage.

And we definitely got the PG-rated show because of the impressionable youth in the crowd, but the diversity of the crowd definitely shows that Lambert is crossing all type of boundaries and stereotypes to entertain and push his Glam Nation prerogatives towards some new listens. And I kind of like his style of thrusting his views and opinions at you with gusto, but keeping his on stage image bordering on the brink of surreal. But just as you are about to pigeon-hole him with simply a meshing of  androgynous music with his tunes like “Strut” and “For Your Entertainment“, Lambert whirls you into a 180 degree turn and pushes your ears and eyes into another defined direction. And that is the reason I can see Lambert being pushed into the mold or direction of the always theatrical Mercury.

That zest and energy to attack the vocals and invite musical accompaniment to throw the eyes and ears into different angles and directions while still tapping your foot or clapping your hands to the beat.  Another section of music that Lambert has seemed to attack with vengeance is acoustic sets of music to his songs like “Whataya Want From Me” and even “Soaked” which has a really familiar Queen feel to it. When Lambert goes into his acoustic sets, you really get a great indication of the unfolding talent and incredible vocal range he is exploring more every day.

Sometimes his musical mannerisms and moves on stage did seem to play more towards Broadway than pop culture. But if you are not entertained at a Lambert show, then you came into it with a closed mind. He reminds me of some of the classic 80’s groups like The Pet Shop Boys or even Depeche Mode in his booming bass lines and rhythms that take you beyond the lyrics. If you are not into club music or have an allergy for glitter, than Lambert will not be your cup of tea. But as someone who has pushed his way through the Punk Rock stereotype and the epic explosion of experimental techno music and electronically enhanced House music’s New York minute, Lambert is a lion pretending to be a kitten. In a way, Lambert reminds me of a splash of David Bowie with a more pronounced sensual sexuality about him, but with lyrics that catch your attention and your mind simultaniously. 

All you have to do is hit up any music site and click on a small snippet of “If I Had You” and you will see that someday, the whole world could be come a Glam Nation colony. Lambert definitely takes you on a sensory explosive adventure with his music, the color hues of his stage lighting with high accents on purple, aquamarine and even a pinkish burst here and there for added dimensions. This color pallatte explosion of lights made it a bit difficult for some photo shots, with the always changing background colors and formatting, but that was also part of the “Glam Nation’s” intention. 

Lambert definitely can put you off by his many wardrobe changes (I lost track at four) during his performances, but we have already concluded, that is Lambert’s ultimate intention. All your sense have to be ready for overload if you are ever going to enjoy Lambert’s theatrical and vocal sideshow. But his costumes were all done in the basic black format of most of the gone, but not forgotten Punk Rock groups. With the splash of hues of aqua, purple and red, the outfits somehow took a life of their own at times.

I was a bit upset that Lambert did not get a chance, or give us an extra bit of magic tonight with his rendition of Foghat‘s “Slow Ride” with Allison Iraheta, who opened the show for Lambert. But even without this tasty morsel, it was a hearty meal of great music and theatrical fun.

 I came into this show expecting to be impressed, and I was quickly blown away by the vocal range and the true artistry of Lambert’s band and dancers. Might have been over the top for a few moments as Lambert had to remind one of his guitarist it was a “PG show”, but well worth staying here until the Witching Hour.  The diversity of the crowd was not even apparent once the music began and everyone began to sway and use their cellphones to record photos or video moments of the concert. Was a great peek into one of the artists that might help shape the future of rock as we know it today.

Still curious as to how the Rays grounds crew are going to get all that silver metallic glitter up before Sunday’s game.

Not to worry, I think we are going to be talking about this show long after the last tinsel or freckle of glitter is gone

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Allison Iraheta’s Raspy Vocals Energize the Trop


 

 

Most people who have known me outside of the baseball park, and usually during the off season know that I used to play and sing in a band for a long time, plus have done my share of hitting the Karaoke microphone both as a KJ and as a performer.

 

 

It is one of those hidden little passions and talent some people know about, and other find out through the grapevine or by accident step into a bar you are playing at the time.


 

 

And that is one of the reason I have always had a liking for the rocker chicks who perform on shows like American Idol. I am a huge closet Alternative and Rock guy who has done everything from Depeche Mode to Journey on stage. I do it not for the chick and ego, nut it is my calming force, the place I head to if life get too hard, or the road too long. And that is why I feel a distant, but connective bond with a singer like Allison Iraheta.


 

 

Most of us know her as the pint size crimson-haired leather-clad singer who can belt out anything from Heart’s Anne Wilson classics, to Aretha Franklin without anyone questioning her vocal range. And believe me, on Saturday night during the Tampa Bay Rays/ Hess Express Saturday Night Concert Series as she opened for Glam rocker Adam Lambert, she definitely got the party started right. Even with her limited exposure and only one album under her belt, Iraheta had her vocals bouncing off the Trop’s roof and delighting the crowd.


 

 

The way she hit the stage reminded me of those old red bouncing ball that never seemed to lose energy or slow down at all unless you trapped it under a box or snagged it with your fingers. She was energetic, juiced-up and rocking to all types of vocal heights as she performed a half hour set before Adam Lambert was to hit the stage. Heard the song “Robot Love” for the first time last night and loved the bass pumping and wonder why this is not a good club hit, or maybe I am hitting the wrong clubs.


 

 

But the one tune everyone was waiting for was “Friday I’ll Be Over You” and she nailed it and was prancing across the stage like a veteran rocker instead of someone out on their first tour. Also had not heard “Don’t Waste The Pretty” before and might be headed to Best Buy soon and getting myself a new CD for the old collection. She performed “Still Breathing” and I could almost see a bit of the range and vocal talents of Gwen Stefani hidden inside her ready to unleash its carnage on the World.


 

Iraheta might have been an opening act, but she definitely showed all of us her name will be heard a lot in the future with her rasp voice that reminds me a little of Janis Joplin with a hint of Joni Mitchell for good measures.

 

And that is high praise when you consider Iraheta’s age and that she is growing more and more in talent and abilities every day. And she is also a cross-over star being bi-lingual and could be a budding star in both English and Spanish recording.

 

But I guess the best praise I can give Iraheta right now is for her to Rock On and keep striving for that special place where music and life make their crossroads.
 

Allison Iraheta to Open for Adam Lambert Saturday Night!

 

Just got confirmation from a really reliable source within the Rays cloak of silence that scheduled artist Orianthi, who was to be the opening act for this Saturdays nights Rays/ Hess Express Saturday Night Concert Series event featuring Adam Lambert. Orianthi had to back out of her tour commitment and will be replaced by another American Idol alumni who is on her own course to stardom.


You might remember Allison Iraheta, the spunky Latin California cherub we all got to love during season 8 for her stirring rendition of Heart’s classic “Alone” during that season’s American Idol finals. But even before she bellowed out ” (You Make Me Feel Like) A Natural Woman” at the San Francisco American Idol auditions back in 2009.

Most people might remember the look of immediate shock on then American Idol music director Rickey Minor when Iraheta was eliminated and had to settle for a fourth place in the singing competition.


And all through her Idol performances, Iraheta was given astonishing critique about her growth as a budding artist and in an interesting twist, fellow American Idol judge Paula Abdul once compared both Iraheta and Lambert together had a “special sauce”.

Before auditioning for American Idol, the los Angeles based Iraheta won a singing competition on the Telemundo reality show “Quinceanera” back in 2006, which used a format of singing in either English or Spanish songs during the competition. The program had Grand Prizes of a $ 50,000 purse and a recording contract. The Telemundo program did not offer the final prize of a recording contract.

But after her time on American Idol, Iraheta was signed by 19 Entertainment and Jive Records and they collectively released her first album “Just Like You“, which contained her songs “Friday I’ll Be Over You“, “Scars” and “Don’t Waste the Pretty“.


On April 2010, Iraheta was announced as the opening act for Lambert’s “Glam Nation” Tour. The addition of Iraheta actually makes the double billing a bit more of a true entertainment bonus for everyone as some will come to see the flamboyant and vocally entertaining Adam Lambert, and others will come to the Trop Saturday night to hear Iraheta sing some of her tunes off her own first album.

But hopefully they can both come out on Saturday night and do their stirring rendition of their American Idol Finals Week duet of their rendition of Foghat’s “Slow Ride” which was the performance that Iraheta did with Lambert when Iraheta was being considered a “rock goddess” by American Idol judge Kara DioGaurdi, and inspired that weeks musical mentor Slash who thought she ” possessed a better voice than most women “twice her age””.

Should be an amazing night of super vocal scales rolling off the Teflon roof of Tropicana Field. The set is being rumored to be possibly 80-90 minutes long, and will be performed after the conclusion of the Rays versus Angels game that will begin at 7:10 pm. Do not forget the game time has been pushed back from the previously advertised 6:10pm first pitch.

Also if you want to still purchase a wristband for the performance to get on-the-field access ($40.00), please this link to the Rays/Ticketmaster website for more information on getting an up close and more personal sound experience with Allison Iraheta and Adam Lambert this Saturday.
 

See you there!

Rays Photo Homage to Past Celebrity and Musical Guests

 
 
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It is one of those photo collages that takes your breathe away when you first see it. Basically the magnitude of the talent and faces that have crossed within the confines of Tropicana Field is amazing. Sure we might not have Kate Hudson in our stands every night, but she was here when the New York Yankees touched down within Tampa Bay for a few games. And people like John Cusack and author Stephen King have also been known to try and sneak in a Rays game without a lot of attention.

 
But the photo collage on the concourse wall right behind the Home Plate 102-104 sections of seating in Tropicana Field shows just how much music, motion picture stars and great moments we have endured over the last few seasons. From the moment the Rays concluded their November 2007 unveiling of their new logo and uniforms, to the upcoming Hess Express/Rays Saturday Night Concert Series featuring John Fogerty, the team has shown both talent on the field, as well as on the Concert stage. And the list of artists featured on the wall collage is impressive indeed.

 
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There are currently 28 photo cut and pasted upon this collage section featuring the artists and actors who have made the Rays part of their baseball family. And it all began in November 2007 with the free concert to Rays fans who attended the Rays logo and uniform fashion extravaganza as actor/musician Kevin Costner and his band Modern West brought their own special spin to the festivities. But he was only the beginning. Since that time fellow actors/comedian Paul Rieser ( Mad About You), Chris Rock, Former SNL star/ Impressionist Darrell Hammond, Barry Williams (Greg Brady) last but definitely not least, Bill Murray who we all loved as Carl the Groundskeeper in “Caddyshack” and is a minor league baseball part owner.
 

 
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But there are also local Florida athletes or players who have trained in St. Petersburg in the past who are immortalized on the concourse wall such as former Tampa Bay Buc running back Mike Alstott, Baseball Hall of Famers Cal Ripken Jr., Ozzie “The Wizard of Oz” Smith and another Oriole great Jim Palmer. The collage also includes NFL Hall of Famer and Tampa Bay Buc legend Lee Roy Selmon , WWE past Champion John Cena and Orlando Magic Center/Power Forward Dwight Howard. Broadcasting and announcing legends both National and Internationally also grace the collage with the addition of ESPN Basketball Guru and 2004 Inductee to the Pepsi Rays Fan Wall of Fame Dick Vitale and the immortal Boxing/Wrestling announcer Michael ” Let’s get ready to Rumble” Buffer.


But also several members of this new display in Tropicana Field either performed the National Anthem or “God Bless America” such as former American Idol David Archuletta, the Backstreet Boys, and Green Day. But most of the rest of the artists posted upon the wall have performed in the Rays popular Saturday Night Concert Series over the last few seasons. Groups such as 3-Doors Down, Pat Benatar, Daughtry, L L Cool J, Flo Rida, Ludacris, and legendary groups the B-52’s and M C Hammer. Who reminded us “When the Devil went out ( of the team name), the Wins came in!”.


 
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Country artists Big & Rich with Cowboy Troy and Trace Adkins also have provided hours of great entertainment to the crowds of Rays fans attending the game, plus who danced in the aisles and landing around Tropicana Field during their music sets. And do not forget there is still some space upon that wall collage that might include this year’s artists, John Fogerty (April 24th), ZZ Top (May 1st), Nelly (May 15th), Hall & Oates (May 29th), the Go-Go’s /Farewell Tour (July 10th), Train (August 14th), Adam Lambert and Orianthi (Sept. 18th), Country Star Dierks Bentley (Sept. 25th) and two other concerts artists not yet announced on June 12th and June 26th.

 
Talent galore has graced both the field and the stages of Tropicana Field in the past, and the future looks even brighter as the Rays thrust again towards the top of the American League East. This photo collage is just a small sampling of the stars and the people within the entertainment field who have either sat within the main bowl of Tropicana Field, or in the Suites and attended Rays games in the past.

 
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The collage is just a great way for the Rays fans to gather and remember and relive these great acts and people as they became members of the Rays lore. So sometimes in the future be sure to wander up the main concourse just to the east of the Rays main elevator system and have your own great flashbacks into these performances or sightings of the great people who also have adorn Rays jerseys and attended games. Some times it is great to look at the past so that we can see just how far we really have traveled since the ultimate changes made in 2007 to the Rays legend, and the way we will remember our moments within Tropicana Field.

 
 
 

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