Results tagged ‘ Adam Lambert ’
Lambert has the stage presence of Elton John, the wardrobe changes of Cher, and is boosted by a voice that seems to scream the vocal artistry of Queen’s great front man, the late Freddie Mercury. Boosted by enough glitter on himself and his entourage on stage to make any Mardi Gras float envious and jealous, it was Lambert’s voice tonight that made you forget some of his stage distractions and immediately concentrate upon the lyrics and the songs we have all come to associate with Lambert’s flair for the theatrical.
And his theatrics on stage both through his stage riser in the center of the stage mixed with a brisk and totally popping choreographed dance segments push the envelope between both an audio and visual extravaganza that makes you take a step back and collect your breath, then begin to sing along with the singer on his tunes that have shocked, awed and also entertained us ever since he broke off the American Idol stage.
And we definitely got the PG-rated show because of the impressionable youth in the crowd, but the diversity of the crowd definitely shows that Lambert is crossing all type of boundaries and stereotypes to entertain and push his Glam Nation prerogatives towards some new listens. And I kind of like his style of thrusting his views and opinions at you with gusto, but keeping his on stage image bordering on the brink of surreal. But just as you are about to pigeon-hole him with simply a meshing of androgynous music with his tunes like “Strut” and “For Your Entertainment“, Lambert whirls you into a 180 degree turn and pushes your ears and eyes into another defined direction. And that is the reason I can see Lambert being pushed into the mold or direction of the always theatrical Mercury.
Sometimes his musical mannerisms and moves on stage did seem to play more towards Broadway than pop culture. But if you are not entertained at a Lambert show, then you came into it with a closed mind. He reminds me of some of the classic 80’s groups like The Pet Shop Boys or even Depeche Mode in his booming bass lines and rhythms that take you beyond the lyrics. If you are not into club music or have an allergy for glitter, than Lambert will not be your cup of tea. But as someone who has pushed his way through the Punk Rock stereotype and the epic explosion of experimental techno music and electronically enhanced House music’s New York minute, Lambert is a lion pretending to be a kitten. In a way, Lambert reminds me of a splash of David Bowie with a more pronounced sensual sexuality about him, but with lyrics that catch your attention and your mind simultaniously.
All you have to do is hit up any music site and click on a small snippet of “If I Had You” and you will see that someday, the whole world could be come a Glam Nation colony. Lambert definitely takes you on a sensory explosive adventure with his music, the color hues of his stage lighting with high accents on purple, aquamarine and even a pinkish burst here and there for added dimensions. This color pallatte explosion of lights made it a bit difficult for some photo shots, with the always changing background colors and formatting, but that was also part of the “Glam Nation’s” intention.
Lambert definitely can put you off by his many wardrobe changes (I lost track at four) during his performances, but we have already concluded, that is Lambert’s ultimate intention. All your sense have to be ready for overload if you are ever going to enjoy Lambert’s theatrical and vocal sideshow. But his costumes were all done in the basic black format of most of the gone, but not forgotten Punk Rock groups. With the splash of hues of aqua, purple and red, the outfits somehow took a life of their own at times.
I was a bit upset that Lambert did not get a chance, or give us an extra bit of magic tonight with his rendition of Foghat‘s “Slow Ride” with Allison Iraheta, who opened the show for Lambert. But even without this tasty morsel, it was a hearty meal of great music and theatrical fun.
I came into this show expecting to be impressed, and I was quickly blown away by the vocal range and the true artistry of Lambert’s band and dancers. Might have been over the top for a few moments as Lambert had to remind one of his guitarist it was a “PG show”, but well worth staying here until the Witching Hour. The diversity of the crowd was not even apparent once the music began and everyone began to sway and use their cellphones to record photos or video moments of the concert. Was a great peek into one of the artists that might help shape the future of rock as we know it today.
Most people who have known me outside of the baseball park, and usually during the off season know that I used to play and sing in a band for a long time, plus have done my share of hitting the Karaoke microphone both as a KJ and as a performer.
It is one of those hidden little passions and talent some people know about, and other find out through the grapevine or by accident step into a bar you are playing at the time.
And that is one of the reason I have always had a liking for the rocker chicks who perform on shows like American Idol. I am a huge closet Alternative and Rock guy who has done everything from Depeche Mode to Journey on stage. I do it not for the chick and ego, nut it is my calming force, the place I head to if life get too hard, or the road too long. And that is why I feel a distant, but connective bond with a singer like Allison Iraheta.
Most of us know her as the pint size crimson-haired leather-clad singer who can belt out anything from Heart’s Anne Wilson classics, to Aretha Franklin without anyone questioning her vocal range. And believe me, on Saturday night during the Tampa Bay Rays/ Hess Express Saturday Night Concert Series as she opened for Glam rocker Adam Lambert, she definitely got the party started right. Even with her limited exposure and only one album under her belt, Iraheta had her vocals bouncing off the Trop’s roof and delighting the crowd.
The way she hit the stage reminded me of those old red bouncing ball that never seemed to lose energy or slow down at all unless you trapped it under a box or snagged it with your fingers. She was energetic, juiced-up and rocking to all types of vocal heights as she performed a half hour set before Adam Lambert was to hit the stage. Heard the song “Robot Love” for the first time last night and loved the bass pumping and wonder why this is not a good club hit, or maybe I am hitting the wrong clubs.
But the one tune everyone was waiting for was “Friday I’ll Be Over You” and she nailed it and was prancing across the stage like a veteran rocker instead of someone out on their first tour. Also had not heard “Don’t Waste The Pretty” before and might be headed to Best Buy soon and getting myself a new CD for the old collection. She performed “Still Breathing” and I could almost see a bit of the range and vocal talents of Gwen Stefani hidden inside her ready to unleash its carnage on the World.
Irahetamight have been an opening act, but she definitely showed all of us her name will be heard a lot in the future with her rasp voice that reminds me a little of Janis Joplin with a hint of Joni Mitchell for good measures.
And that is high praise when you consider Iraheta’s age and that she is growing more and more in talent and abilities every day. And she is also a cross-over star being bi-lingual and could be a budding star in both English and Spanish recording.
But I guess the best praise I can give Iraheta right now is for her to Rock On and keep striving for that special place where music and life make their crossroads.
It is one of those photo collages that takes your breathe away when you first see it. Basically the magnitude of the talent and faces that have crossed within the confines of Tropicana Field is amazing. Sure we might not have Kate Hudson in our stands every night, but she was here when the New York Yankees touched down within Tampa Bay for a few games. And people like John Cusack and author Stephen King have also been known to try and sneak in a Rays game without a lot of attention.
There are currently 28 photo cut and pasted upon this collage section featuring the artists and actors who have made the Rays part of their baseball family. And it all began in November 2007 with the free concert to Rays fans who attended the Rays logo and uniform fashion extravaganza as actor/musician Kevin Costner and his band Modern West brought their own special spin to the festivities. But he was only the beginning. Since that time fellow actors/comedian Paul Rieser ( Mad About You), Chris Rock, Former SNL star/ Impressionist Darrell Hammond, Barry Williams (Greg Brady) last but definitely not least, Bill Murray who we all loved as Carl the Groundskeeper in “Caddyshack” and is a minor league baseball part owner.
But there are also local Florida athletes or players who have trained in St. Petersburg in the past who are immortalized on the concourse wall such as former Tampa Bay Buc running back Mike Alstott, Baseball Hall of Famers Cal Ripken Jr., Ozzie “The Wizard of Oz” Smith and another Oriole great Jim Palmer. The collage also includes NFL Hall of Famer and Tampa Bay Buc legend Lee Roy Selmon , WWE past Champion John Cena and Orlando Magic Center/Power Forward Dwight Howard. Broadcasting and announcing legends both National and Internationally also grace the collage with the addition of ESPN Basketball Guru and 2004 Inductee to the Pepsi Rays Fan Wall of Fame Dick Vitale and the immortal Boxing/Wrestling announcer Michael ” Let’s get ready to Rumble” Buffer.
But also several members of this new display in Tropicana Field either performed the National Anthem or “God Bless America” such as former American Idol David Archuletta, the Backstreet Boys, and Green Day. But most of the rest of the artists posted upon the wall have performed in the Rays popular Saturday Night Concert Series over the last few seasons. Groups such as 3-Doors Down, Pat Benatar, Daughtry, L L Cool J, Flo Rida, Ludacris, and legendary groups the B-52’s and M C Hammer. Who reminded us “When the Devil went out ( of the team name), the Wins came in!”.
Country artists Big & Rich with Cowboy Troy and Trace Adkins also have provided hours of great entertainment to the crowds of Rays fans attending the game, plus who danced in the aisles and landing around Tropicana Field during their music sets. And do not forget there is still some space upon that wall collage that might include this year’s artists, John Fogerty (April 24th), ZZ Top (May 1st), Nelly (May 15th), Hall & Oates (May 29th), the Go-Go’s /Farewell Tour (July 10th), Train (August 14th), Adam Lambert and Orianthi (Sept. 18th), Country Star Dierks Bentley (Sept. 25th) and two other concerts artists not yet announced on June 12th and June 26th.
The collage is just a great way for the Rays fans to gather and remember and relive these great acts and people as they became members of the Rays lore. So sometimes in the future be sure to wander up the main concourse just to the east of the Rays main elevator system and have your own great flashbacks into these performances or sightings of the great people who also have adorn Rays jerseys and attended games. Some times it is great to look at the past so that we can see just how far we really have traveled since the ultimate changes made in 2007 to the Rays legend, and the way we will remember our moments within Tropicana Field.