Results tagged ‘ Rays Concert Series ’
Huge Rays Crowd take in Hall & Oates at the Trop
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Darryl Hall and John Oates. Who would of thought two guys who met backstage at the Adelphi Ballroom back in 1967 would still be cranking out music and singing today. Some might say that time does damage to some of our idols and songsters from our past, but Hall & Oates still bring the hot guitar licks and the high register singing chops to the microphone tonight at Tropicana Field. I heard them do a short diddy on “American Idol “ just this week, but thought maybe someone might have tweaked their vocals a bit.
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And I got to say, that even though I was only allowed to take photos for 3 of their songs tonight, I sat outside of Tropicana Field and could still clearly hear their songs just as I did nearly five minute earlier squatting and jockeying for position to take about 200 photos before finally leaving after their third selection. And sure I was a bit bummed, but I also follow the order that the Tampa Bay Rays Communication Department gave me, so off I went, but the halls and the corridors surrounding the seating bowl of the Trop. were ringing to the melodies and guitar strums as I walked out Gate 6 into the warm night air.
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It was at that point that I decided I had followed the Rays directive to leave the stadium after the third song selection. But before I exited the stadium, I took a second to cruise my eyes throughout the stands and noticed the assembled huge crowd all either dancing, singing or swaying to the music just as some of us had done in the 1980′s. Weird how these songs that seemed to so modern and catchy were penned more than 40-odd years ago, but still remain not only classic, but relevant even in a new century.
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As I left the Trop. through the back entrance at Gate 6, I decided to sit down on the adjacent hill embankment just to the right of the Trop’s loading docks and listen to more of those tunes that shaped my 80′s and also got me a few women by singing the lyrics to them. Here were the ballads and smooth dancing songs of my misspent youth, my 80′s music past revisited as it was being amplified towards the crowd assembled in the Trop. It brought back a few distant lost memories of “ones that got away”, and also brought back a simpler time in my overall life.
These songs now echoing out of the Trop. were the anthems and the tunes that defined my 20′s both as a music lover and as a college student struggling to make ends meet singing in bars on the weekends after football season was over. Brought me instantly back to my days slinging a Moog keyboard around with me and singing some of the same songs now bouncing all around the atmosphere. Some memories might be best left alone, but the ones connected with some of these Hall & Oates songs definitely had me smiling from ear-to-ear.
Songs like “Sara Smiles” that reminded Rays Manager Joe Maddon of the night his daughter Sarah was born which was actually based on Hall’s girlfriend at the time, Sara Allen. And I know more than a few of my friend who took a intense desire to hear “She’s Gone” while we sat either at John’s Pass sipping a few adult beverages after a bad break-up, or an unexpected turn of romantic events. Hall & Oates definitely colored a few tunes in crayon in my comic book of life.
And what relationship back in the 80′s did not have “Kiss on My List” pegged for their relationship. It usually wasn’t until after the whole enchilada began to sour that we pushed the relationship into either “Rich Girl” territory. But then I also remember the first time I ever heard a rendition of the Righteous Brothers “Unchained Melody” it was done by Hall & Oates and made me a fan of their rendition for life. And it still amazing to me that most of these songs are over 35-years old and still could be totally sung today.
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But I would be totally absentminded if I did not mention or even acknowledge some of the great tunes that Hall & Oates popped out after 1982 like the upbeat and totally hip “You Make My Dreams” that reached number five on the Billboard charts in July 1980, but is still a hot jam today. Or their soul oriented ballad “I Can’t Go For That (No Can Do)” or their biggest hit to date, “Maneater” that hit the top of the charts in December 1982 and stayed there four weeks straight.
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But I could not get up from my perch sitting there listening to the tunes flow outside of Tropicana Field without staying and listening for the tune I waited all night to hear, the one that speaks to me like a goddess or angel. That song would be “One on One” which had some pretty clever usage of words that could relate to either basketball or a relationship. But that was the Hall & Oates song I played on my personal cassette deck before football games and used as a inspirational song for m
e to get totally hyped for a game.
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But how soon we all forget that these two artists met in Philly back in 1967 by accident because of some ruckus outside the Adelphi Ballroom. What if there was not a commotion outside the auditorium that night. We would have probably not been graced with the classic music this duo has penned and scored for not only us, but future generations to enjoy and love too. And how soon do we forget they also were two of the original singers on the first “We Are The World” video and performed on “Live Aid” or outdoors in front of the Statue of Liberty on July 4th 1985 to help with the restoration funding needed to preserve that iconic American symbol.
Hall & Oates is an American classic that set the tones and moods of rock and soul of America’s heartlands and inner cities. Some people might even remember they have a Rays tie before tonight when they sang the National Anthem before rain-shortened Game 5 of the 2008 World Series in Citizen Bank Park in Philadelphia. Even way back in 1984, the Recording Industry of America dubbed the group the most successful duo in the history of recorded music.
High honors for a band that started by accident. And even in 1991, when they released “Starting All Over Again” another generation got to experience the Hall & Oates magic. So I decided to get off the ground and then walk slowly towards First Avenue South and my car, but the bellowing vocals of Hall were still fresh in the air and the bass and rhythm guitar were still pumping through the amplifiers as I got in my car, a block away. I was a great night to rejoice, revisit and of course remember some of those classic 80′s moments that shaped most of us from that era’s future lives. Extremely glad I got to experience this duo’s magical tunes once again.
Nelly Made the Trop Smolder with Heat
I headed to the Tampa Bay Rays Saturday afternoon game wearing my jeans, an old Disney character polo and of course, my old Air Force Ones. It wasn’t Nostalgia Day or even 80′s Day, it was my own way of celebrating Hip Hop Night at Tropicana Field. Think about that wording for a minute…Hip Hop at the Trop…..Word to your Mother!
People seem to forget if it wasn’t for Nelly’s emerging talent at the mic he, Nelly might have made his way someday onto the Field Turf of the Trop on his own as a baseball player. He had some mad skills in the middle infield growing up and could turn the corner on a double play like his idol, former St. Louis Cardinal Hall of Famer Ozzie Smith.
And as soon as the ball settled into the Tropicana Field stands, and the team concluded their on-field Team Meeting with Aybar as the guest speaker, then it was Aybars turn to get a ceremonial shaving cream pie to his face and head and begin getting in Nelly mode. I was already feeling the rhythm and the pulse of the bass to get out on the field and take a spot where the photos would fall like rain, and the crowd would swing in unison to the verses and song of the minstrel named Nelly. But I made a cardinal sin ( at least in my book).
I had a photographer’s pass from the Rays and I wanted to get deep into the action, so I posted up on a L-shaped corner in the right end of the “Mosh Pit”. At that moment it just seemed like a natural move and perfect move going from shooting the Rays first concert from the middle sections for John Fogerty, to right behind the VIP section during ZZ Top, to down in the pulsating action and sea of motion of the proverbial front row. It seemed like a natural progression….But a hasty mistake on my part.
For I had put myself in the eye of the swallowing storm on the wrong side of the steel barriers. I have been in the front rows tons of times before, but not with a camera, and surely not with a group of most teens to 20-ish fans who wanted to move and groove to every single sound wave of beat or vocals coming out of the supercharged bass system right in front of the assembled mass. From the first deep drumbeat from the DJ, there was pushing and shoving from the side and back as people began to crush forward wanting a taste of Nelly and the music.
But then again, I would have done the same thing myself 20-odd years ago. Well, I know I did. And the audience was definitely transfixed as the beats got deeper, and the crowd behind me got more animated and pulled into the rhythm and music. Out of the 480 photos I took that night, I had to trash about 200 photos due to the hands in front of the camera lens or small waves of motion around me that caused the photo to appear out of focus produced by my arm and shoulder constantly getting hit during filming. But I took the commotion and the frustration in stride as I got popped like a pinball for a few songs but within me I now wished I had taken a position on the stage side of the barrier.
But the music was the center of everyone’s attention tonight as even some of the Rays players like Carl Crawford,Dioner Navarro, Reid Brignac, Joaquin Benoit, Matt Garza and B J Upton swayed and rocked to the beats while doing their own version of Nelly Karaoke on the West side of the stage region. Upton seemed to be totally into the concert as you could see him singing the words and doing his own set of dances to the beats. It was great to see the players having as much fun as the Rays fans that night.
And it is sometimes weird that Hip Hop has now been around long enough to have Nelly “classics” like “Ride Wit Me“ , “Air Force Ones” and “Batter Up“. I still remember watching the first broadcast of MTV at a college viewing party complete with free MTV swag and music until we left transfixed by this new style of selling the music to the public. How much we have all grown accustomed to this video and music combination that now most of us never hear the song without also seeing a video interpretation of the song at the same time.
And from the moment Nelly first emerged wearing a stylish white Rays T-shirt, the crowd on the field and in the stands were immediately consumed by the tunes and the chatter from Nelly. From his classic Nike Air Force Ones on his feet, to the diamond-encrusted dog tags, and glittering diamond watch bevel, Nelly was quickly transporting us to a part of St. Louis with his music we would never venture into alone. We were taken instantly into Nelly-ville, and he was the Mayor and the man that was definitely large and in charge.
And the Trop almost seemed to take flight the moment Nelly as his crew began to sing ” E.I.” as well as ”C
ountry Grammar“. The moment the first beats hit the speakers, the entire crowd began systematically swaying and singing to the tunes. It was definitely a well needed audience participation segment, and the assembled crowd did not disappoint as it rang out loud to an almost deafening level all around me. But people forget, it was not all about the music tonight.
But people forget it was not entirely about the music tonight as there was a large amount of young and older women inching towards the front of the stage area hoping to catch an eye glance with Nelly or getting some sort of savoring trinket to take home and cherish forever. At that moment you knew the focus and the attention was firmly bulls-eyed on Nelly as the player of the moment. When one of his crew announced he had a gig later that night at a local St. Petersburg nightclub, it was the assembled women who screamed and quickly asked the surrounding people the 5 W’s of finding this club. Nelly was in full effect, and the ladies were going to be in massive tow tonight at the Push Lounge.
And with that announcement, Nelly had just found the perfect segway to pop into his classic “Hot in Here” as he quickly removed his Rays white t-shirt and threw it straight into the teeth of the crowd as people frantically pulled and yanked and finally separated the t-shirt into two sections before it fell into someone’s hands firmly encasing the prized possession for the night like a prized jewel. It was a white Rays gift from one of the Hip Hop chosen ones, and it now had to be guarded and cherished from that moment.
And as Nelly let the crowd know about his forthcoming album to be released some time this Summer you could feel the crowd letting go a bit knowing their dream might end soon. Usually when a singer or group mentions this tidbit, it is nearing the end of the concert. And when he asked for three volunteers from the audience the sound was deafening as every woman within reach of the stage began cheering and more than eager a chance to be on stage with the Hip Hop icon. Three women were finally selected and it was the beginning of some interesting final moments to the concert.
Nelly even gave one of the chosen ones a photo opportunity of a lifetime as she snapped a photo with her phone of Nelly facing her with the screaming crowd behind him. Then he quickly quizzed them as to their singing abilities and then broke into his tune “Dilemma” which he did originally as a duet with former Destiny’s Child singer Kelly Rowland.
The girls instantly fell into the rhythm and the rhymes of the song and began to sing and dance along with Nelly and his crew. It was one of the slowest moments of the concert, but helped the crowd recharge a bit before the night ended too soon for so many in the crowd. People wanted to hear every song from all his album in his unique styling that some have called a ”Missouri Twang”.
The night quickly condensed into a meandering of unforgettable song hooks based on schoolyard songs with double-dutch chants. But what is amazing is the simple fact most people do double dutch lyrics as a rap, while Nelly has primarily done them in song, which is a major reason so many see him as a Hip Hop icon. The night was truly an adventure into Nellyville (also the title of his 2nd album) that I will not soon get out of my head.
But that is the thing about great music no matter what the format or lyric style. If it is good, it stays with you for a while and maybe drills into your subconscious for a future moment or even visual stimulation brings it out again for a great memory. People say that Rap or Hip Hop artists are this generation’s storytellers. They give their versions of the action and stories of life through their musical lyrics and prose. Nelly is a great example of this sage of wisdom and urban existence being told through music. And through it all, we also get a chance to see life through Nelly’s eyes.
ZZ Top Photo Blog…Extended Cut
I got about 15 Emails and Direct Messages yesterday asking me to post a second photo blog of the ZZ Top Tampa Bay Rays Concert last Saturday night, and of course I am more than willing to throw up another 18 photos from my small segment I shot that night. But along with it will come a small story about that night that I hope all of you enjoy.
Before the Rays season began, I was talking with someone up in the Rays Front Office about the possibility of maybe getting an up-close vantage point during the 2010 Rays/Hess Express Concert Series. With some great acts coming into Tropicana Field, I wanted to provide a bit of extra photos and concert review that might entice other Rays fans who had not seen one of these Concerts to come down to the ballpark for the remaining 8 Rays concert dates.
So I came up with the idea of maybe submitting my name into the Rays Communications Department as a Photographer for the Concert series in 2010. The idea did have some basic merit as I decided in 2010 to try and get the bulk of my photos and special shots myself instead of using the stock photos or daily photos submitted by the wire services. And I had a pretty fool-proof plan, or so I thought at the time. I did not want access to the field for pregame photo opportunities, or even position myself in one of the photos wells on each side of the dugouts.
So I submitted my name and credentials request to the right person and awaited a hopefully positive answer concerning my request. I got back an answer that did not rattle me, but showed that the road was not going to be bright and yellow, but I had to have a bit of luck on my side. For the Rays had to submit my name to the band’s management team and either I would be approved or denied a photo credential to take photographs of that band performance.
I actually thought in the beginning this might be a smart way to proceed because hundreds of fans would be on the Tropicana Field turf taking the same photos and videos without the band’s consent. I was banking on the fact I was being honest and upfront to be my entry into this special world.
So I submitted my request for the first concert when John Fogerty was going to play a week or so ago. I got a denial letter back from the Rays Communication Department and was a bit humbled by my idea going through 100 percent without a problem. But I also did not take it as a total slap in the face, but as a wake-up call to either get serious about this adventure, or forget it all and take photos from my seat with a telephoto lens.
I shot my photos of the Fogerty concert and was not totally impressed with them and knew that I had to again grind it out and hope to get access to the field to take photos of ZZ Top when they came into Tropicana Field. So again I submitted my email to the Rays Communication staff and was very anxious to see if it was “Strike Two” or if I might have actually cut the mustard and gotten a chance to show my stuff.
The minutes did feel like hours and I was constantly checking my email box every hour hoping that I would get a chance to give the Rays some confidence I was going to use this to do positive things and not use it as a tool to use or abuse my credentials. Finally an email came back from the Rays Communication Department, and I at first did not want to open it for fear of that second “X” high above my head. But I also had the confidence that someone in one of the ten band’s management teams might give me a shot in 2010 to do something special.
I got my first green Rays photographer credentials the afternoon of the concert from the Media Table at Gate 4 and instantly could have gone to field level and enjoyed the pregame festivities, but I wanted to chill and just enjoy the game and after the contest take some great photos of the band. No agenda on my mind but taking post-game concert photos. But it was a special moment in my mind. Sure it will not guarantee or even get me anything in the way of priority from that moment on, but the thought that I finally achieved it and brought back some great shots is enough for me.
The night was incredible for me. Not only did I get a chance to provide some of my first photo credits of a concert date in 2010, but I had the time of my life reliving and revisiting every song that ZZ Top sang and played that night. And it was special to again get down on the field again and be a part of the Rays/Hess Express Saturday Night Concert experience.
Sometimes moments in your life just seem to come out of the blue that provide a different direction for you. On that night, on the floor of Tropicana Field, I again saw that I love doing my posts and taking photos for other to enjoy. I again got to remember and feel why I wanted to work for the media as a kid, and wanted to again feel that rush of accomplishment and knowing I provided some extra information to others that would never have been given if not for my photos or posts. I remembered why I loved to write again….And that is a scary thing.
Bentley is no Country Clunker
And you might ask why I am tuning into Country right now with the season at my doorstep. Well, in the next day or so the Rays will release their final 5 bands/artists for the Hess Express/Rays Saturday Night Concert Series, and …..Dierks Bentley will be the featured artist after the Saturday, September 18th game against the Los Angeles Angels. And after watching a few of his videos and listening to some of his songs online this week, I am excited to see this Country artist play within the confines of Tropicana Field in 2010.
I presented another band yesterday (Train) to MLBlogs.com that will also grace the Rays Concert series in 2010, but Bentley right now is about to release another album in 2010 and based on his past success, this year might just be the year people talk about him from stem to stern. And Bentley does have some lineage to the Rays having attended Vanderbilt University in Nashville, Tenn , the same fine institution that gave us Rays starter David Price.
And even though Bentley has only been on the National County Music scene since his self-titled debut album hit the stores in 2003, he has turned that into 13 singles on the Country Music charts in which 7 reached the #1 spot. On that debut album he released “What Was I thinking”, which became his first #1 Country hit. Both his debut album and his follow-up release “Modern Day Drifter” were certified platinum albums.
But Bentley might be better known for the hits “Come a Little Closer”, “Settle for a Slowdown”, “Every Miles a Memory” “Free and Easy (Down the Road I Go)”, “Feel That Fire” and “Sideways”. It is rare that an artists, no matter what music category has the ability to produce a “greatest Hits” album after only 7 years in the Country ranks. But this country singer who was named for his maternal grandmother and born in the western state of Arizona has had his share of wild adventures and cross country jaunts.
Early in life his mother moved him to the more rock-oriented city of Lawrenceville, New Jersey where he finally graduated before heading to University of Vermont before heading south to Nashville and Vanderbilt University and spending time with the SAE (Sigma Alpha Epsilon) Fraternity. And I hate to tell all the female Rays fans, but Dierks is a married man with a beautiful baby girl who was born in October,2008. And Bentley got one of his first introductions to the Country Music scene while working for The Nashville Network (now Spike TV) researching old concert footage.
And maybe that small position has come in handy as some say that he is a master in using the entire stage while performing in concert. I have to say that I have a hidden closet of warmth and admiration for Country Music artists and their unique brand of storytelling via the songs and inspirations behind the melodies. But again the Rays have brought in an artists that will appeal the mass Country audience that is situated with the Tampa Bay region. You can expect another sold-out crowd and a few 10-gallon hats during this night’s performance, and maybe even a few Texas two-steps within the hallways and floor of the Trop.
Got to tell you the one song I am really looking forward to is “Sideways”, which is a bit of most fans weekend ritual songs….or is that just me? But with the inclusion of Train and now Dierks Bentley, the Rays still have three more artists to reveal before the season begins and who knows, maybe it could be another great band like Hoobastank or……..who knows. But when I find out, you know I will definitely let you all know as soon as possible.
Rays 2010 Concert Series Band Facts
I got to admit here, I was holding onto the secret to one of the Tampa Bay Rays Hess Express Saturday night Concert Series performers as close to my vest as I could this past weekend. I did tell a few close friends who would not throw it all over the place the artist, and I got a great reception to them coming to Tropicana Field in 2010.
The Concert Series list some say is a group of band that could soon be lifetime members of the AARP, but that is fine with me because I am no spring chicken myself. But this is also a special time for Rays fans as the team has gone a combined 16-2 during the Concert Series, with sell-out crowds and people swaying and singing in their seats, and people dancing in the aisles of Tropicana Field.
They are a nice collection of the bands of my youth, which also includes the second concert I ever saw when the Go-Go’s performed at the (now gone) Bayfront Center. And yes, I did wear my parachute pants with the red velvet inserts and swanky punk rock shirt to the concert to try and influence the ladies who I knew would come out in droves to support the first all female band on the Billboard charts to write and also perform with their own instruments.
And I also got to attend a Go-Go’s concert the last time they were in St. Petersburg, Florida at Jannus Landing and got a chance to meet the band during a “meet and greet” arranged by a friend in upper management at Pepsi.

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So to say I am not excited to see all five of these bands come into Tropicana Field would be insane. For these bands, Hall & Oates, John Fogerty, Nelly, Z Z Top and the Go-Go’s are very much a fabric of my musical roots, and great selections by the Rays Front Office, and we still have five more to be announced later. But this group of five are such an interesting meshing of bands that could sooth even the savage baseball fan.
So I decided to today to post some facts about each band that you might not know, and give you a little insight into the bands heading for the Trop. during the 2010 season. I will also list the game date and the opponent so you easily purchase your tickets when they go on sale to the public at 9 am on Friday.
1) 25th Anniversary of “Centerfield” being released to the world. In 1985, John Fogerty finished his first solo album for Warner Brothers records. But you had to think that when Fogerty wrote the title track to his album, it was going to be sung and imitated at Major League and minor league baseball stadiums for eternity. When “Centerfield” hit the stores, not only was the title track an instant hit, but another track off the album, “Old Man Down the Road” also was a Top-10 hit for Fogerty.
2) Fogerty also got one of those rare honors in Hollywood California on October 1, 1998 when he was enshrined on the Hollywood Walk of Fame. His Hollywood Walk of Fame star is located at 7000 Hollywood Blvd right alongside 63 other inductees which include Playboy founder Hugh Hefner and actors Angela Bassett (St. Petersburg native), Tony Danza, Dudley Moore, Tom Hanks, Eddie Murphy, Chuck Norris, Glen Close and Renee Zellweger. Also included in this section is fellow musicians’ Nancy Sinatra, Donna Summers, Patti LaBelle, Pacido Domingo, and fellow baseball lover Alice Cooper.
3) Fogerty pulled off a great “double feat” during Thanksgiving 2006 when he appeared at halftime during both National Football League games held on that day. He started that day singing at the Miami Dolphins at Detroit Lions game, then got on a plane and went to also do the halftime festivities at the Denver Broncos at Kansas City Chiefs game later that day. Fogerty was in the house on April 16,2009 to help celebrate the first home game in the new Yankee Stadium.
Fogerty (of course) sang “Centerfield” from Centerfield prior to the New York Yankees first game in their new home. At one point, the infamous “Bleacher Creatures” that shout players names for “Yankee Rollcall” during the first innings of Yankee games, shouted out for Fogerty to acknowledge them. Fogerty got accepted in the new stadium…New York style.
1) Most people might not know that there is a double reason they selected the name ZZ Top for the band. First, it was a hybrid name formed from the two names of rolling papers Zig-Zag and Top. The second reason it is a duo homage to classic Blues legend ZZ Hill. ZZ Top guitarist Bill Gibbons also wrote in his autobiography “Rock+Roll Gearhead” that it also derives from Blues master B B King. The band originally planned to call themselves ZZ King, but they reconsidered thinking it might seem to similar to B B King. But since BB King was at the “Top”, they chose ZZ Top as their final band name.
2) Even before their hit “Cheap Sunglasses” in 1979, the band always wore darken sunglasses on stage for their gigs. Guitarists Gibbons and Dusty Hill also wear similar black clothing, usually biker leathers, and either black Cowboy hats or baseball caps when performing on stage. Gibbon also wears a trademark neck chain of beer bottle openers around his neck when he performs to remember those early days in the Texas Honky Tonk bars. While Gibbons and Hill wear chest length beards, their drummer Frank Beard ( love it!) usually has a well manicured beard and mustache.
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Keeping with the “beard” theme for another moment, both Gibbons and Hill were offered $ 1 million each by the Gillette (razor) Company if they would shave off their chest length beards during a television commercial. The duo declined saying,” We’re tool ugly without them.”1) Most people know Nelly’s (Cornell Haynes Jr) obsession with everything related to St. Louis, but did you know that he was also a pretty good baseball player before he turned to rap music. He honed his baseball skills watching video of his idol Cardinals short stop Ozzie Smith during St. Louis amateur Summer Leagues and always considered playing professional baseball.
Even though Nelly was not drafted out of High School, he has attended several Major League Baseball Spring minor league tryout camps including the Pittsburgh Pirates and Atlanta Braves. Some people close to Nelly think he accepted his rap music career as a consolation prize to his first love….baseball.
2) Nelly has built himself a small empire outside of his music interests with the establishment of two clothing lines, Apple Bottom for women and Vokal for men. He also had a contract with Nike back in 2003 to design and develop a “Air Derrrty” shoe which was a retro remake of former NBA star Charles Barkley’s signature sneaker. He also signed a contract with Reebok on June 20,2005. Nelly is also became one of the owners of the NBA’s Charlotte Bobcats when it was announced on May 19,2008 he would join the Bobcat’s owners group along with Robert L Johnson and NBA legend Michael Jordan.
3) Most people instantly know him for his first album “Country Grammar”, which was his debut album with the Universal Music Group. The album was certified 9x platinum on April 27,2004 and includes a track with inspired baseball metaphor s called “Batter Up”. Another interesting fact is that Nelly once played in the Main Event at a World Series of Poker event in 2007.
1) I personally have an axe to grind with Hall and Oates. They sang the National Anthem of Game 5 during the 2008 World Series at Citizen Bank’s Park on October 27,2008. The reason I have a beef with them is that I think they wished for rain and that made the game be postponed and I had to fly back to Tampa Bay without seeing the conclusion of Game 5, which happened several days later. They did a great rendition that night, but it was a rainy and cold night and my teeth were chattering.
2) The two Philadelphia native sons met during a band competition at the Adelphi Ballroom back in 1967. They were not there to compete together, but was put together after gunshots rang out in the venue after two rival gangs converged on the arena. Daryl Hall and John Oates were both thrown into a service elevator together and they started talking and noticing they had multiple similarities in music and both were attending Temple University.
Not bad for two guys always immortalized by the sit-com “Friends” where Ross Geller (David Schwimmer), was once shown as a young man-fro keyboardist who was in love with the Hall and Oates music.
3) In a play on the band’s name, the NHL’s St. Louis Blues manufactured a tongue-in-cheek line of hockey apparel called “Hull and Oates” to play homage to players Brett Hull and Adam Oates. Also with a Hockey linage is the fact that their song “Private Eyes” was the unofficial locker room song of the 2008-2009 Edmonton Oilers. But there was no doubting the band’s 7 platinum and 6 gold records and their 34 hit singles on the U S Billboard charts.
The Go-Go’s July 10,2010 Cleveland Indians
2) here are some wild facts about each member of the group:
Belinda Carlisle(Lead Singer) once dated former Los Angeles Dodger Mike Marshall and he should have a nice section in her upcoming biography “Lips Unsealed” that will be out in bookstores on May 20,2010. She also was a contestant during 2009 on “Dancing With the Stars”, and performed in the production of “Hairspray” on stage in London’s West End.
Gina Schock (Drummer) co-wrote the title track on Miley Cyrus’s second album “Breakout”. The song debuted at #1 in the summer of 2008. She also wrote tracks for Selena Gomez and The Scene’s release “Kiss and Tell.” The Go-Go’s had to stop touring in 1983 while promoting their “Vacation” CD after Schock developed health problems and had to have surgery for congenital heart defect.
Karen Valentine(Bass Guitar) During their Go-Go’s “hiatus moments”, Valentine went back to her Texas blues-rock roots and formed the Blue Bonnets. The group did two albums before they morphed into The Delphines, which included Schock as their drummer,
Charlotte Caffey (Lead Guitar/Keyboards) Caffey and Jane Wiedlin co-wrote Country star Keith Urban’s first # 1 single hit “But for the Grace of God“. Caffey and Wiedlin also performed several concerts back in 1997 as Twisted and Jaded, in which they performed acoustic versions of Go-Go’s songs and debuted any new materials they wrote during the bands existence.
Jane Wiedlin (Vocals/Guitar) is always one of the fan’s favorites, not only for her quirky sense of humor, but for her “obsessions.” Wiedlin is a devoted “star Trek” fan and once formed a band FroSTed as a homage to the ultimately popular television and movie series. She is an ordained wedding officiant who performs her wedding services as Reverend Sister Go-Go. She is also the main subject of an upcoming comic book called “Lady Robotika“, and was endeared to millions on the reality show “The Surreal Life” when she came out of the closet about her fascination with Domination.
3) Over their career, which started in 1978, they have sold over 7 million albums and made rock history as the only all-female band who also plays their own instruments to top the Billboard charts. Their first album “Beauty and the Beast” was considered a “cornerstone” of the New Wave music movement. This album reached double platinum which at the time made it one of the most successful debut albums of all time. The album is still today listed at # 413 on the Rolling Stone magazine’s list of “The 500 Greatest Albums of All Time”.
With tickets going on sale to the General Public on Friday morning, it might be a great idea to purchase tickets for these days in advance to guarantee a chance to see concerts on these dates. I will again bring you some facts and great baseball related situations concerning the bands that the Rays select for these additional dates. At this time there are no previous games selected for these Saturday Rays games by either for a possible Fox Baseball Broadcasts or by ESPN.
I am looking forward to these concerts with great anticipation, and also hope that we can again sell out Tropicana Field and boost our record to 26-2 with a 10-0 run in 2010. When the Trop. Is full, the Rays players feel the presence of the crowd and gain additional energy from us in the stands. So do not forget to get up early tomorrow and get your coffee and your fingers ready to select seat locations for all five of the already selected bands in concert following Rays games in 2010. Tell me you are not excited!
Beach Boys seduce Rays fans with Music
Could that really be true? Can they really be ready to start their 50th Anniversary Tour in 2011? And can I really be this darn old, but feel so young the minute they begin to play their harmony-induced So Cal classics? It is actually a bit funny that I always seem to go through a time machine and transform into my 20′s every time I hear one of the bands that blared from my old 1969 Camaro’s AM/FM radio in my youth.
The thought of the band again coming into Tampa Bay and making me remember countless weekend strolls and drives up and down Mandalay Avenue and Gulfview Blvd. on Clearwater Beach, Florida with the rag top down and my trusty side kick Hansel, my black German Sheperd in the passenger seat checking out the girls and loving the summer nights. During those cruises, one of my favorite cassette tapes was the Beach Boys 1980 album”Keeping the Summer Alive”
And with the forever young voice of Mike Love and the Beach Boys, the trip down memory lane was going to be perfect for me last Saturday night. Not withstanding, the Rays loss for only the second time in 32 concerts did put a bit of a bummer on the night, but the minute the band began to play those surfer classics, all was beginning to become right in the world again.
The concert was a night of reliving some of my old beach cruising magic, and remembering those lazy days of summer in my 20′s. Now I know a majority of the people reading my blogs were not even alive when the Beach Boy first formed in 1961 out in Hawthorne, California, but the music is so borderless that even Rolling Stone magazine has proclaimed the Beach Boys “America’s Band.” They told yarns of the surreal world of the surfers and car jockeys that was the culture in South California in the 1960′s.
And everyone, no matter what you age can remember and even sing some of the lyrics of many of their tunes. Considering the band ended up with 36 US Top 40 hits along with 56 Top 100 hits, they are the best selling American band in history. And who has not heard many of their songs in classic movies or even television as a backdrop to the beach scenes. They might not be the same members that originally hit the stage back in 1961, but they still have the same energy and envoke the same thrill they did years ago when i saw them in concert.
Even if the band doesn’t hit the same high notes as in their earlier years, this band still brings back a great flood of emotions and memories when they begin to sing their songs. And the awesome sight of seeing three and sometimes four generations of family dancing and singing their songs speaks volumes to their longevity. Seriously, I saw grandparents holding small infants and dancing with them in their arms in the aisle of the Trop that night, and seeing young and old dancing closely to their slow dance classics just reminded you of those wild dances and proms of our youth.
I know the pictures do not do justice to the sights and sounds going on all over the Trop that night, but the music bouncing off the back walls and cascading down to our ears was a sweet ambrosia that all of us hungered to taste again. The music took all of us to a place some of us had not been in a long time, but left everyone with a smile.
Classic was the moment near the end of the concert when Love thanked the crowd for the experience, then his original band mate Bruce Johnston told him they had to have at least two more songs in them. They then erupted into “Barbara Ann” and “FUn, Fun, Fun”. Even as I was heading for the exits of the stadium, some fans were still singing the songs and dancing in the breezeways under the stadium.
Funny, I even went searching on my FM radio on the way home hoping to catch a Beach Boys classic song on the radio before I hit my driveway. I was amazed when less than five minutes later the song ” Sloop John B”, which was recorded back in 1965 began to play over the speakers. I was quickly transcended to a time when I used to sail on a small catamaran on the Gulf of Mexico with my small tape recorder strapped to the mast.
But that is the gift that band like the Beach Boys give us every time we hear them. They take us back to times and memories that sit close to us, and remind us of easier time, or less stressful moments in our lives. Bands like this provide a great example of just how great some of that music in the earlier years of rock and roll can become iconic.
Even the classic “Kokomo” can be heard at any cruise ship or travel agency on the Musik now, but always bring us back to a sandy white beach, and a loud shirt or shorts. But that is the gift, the ultimate compliment to the band and our culture if we hum a few bars, or even think of the beach culture for a moment while the song is playing.
I could almost fee the sand between my toes that night even though I was sitting in the box seats at a baseball stadium. I could imagine those hot, but breeze-filled nights cruising the beaches with my dog and some of those Beach Boys tunes strumming in my ears. All I was missing was an exotic drink with a umbrella in it.
( I do have more photos of all of the Rays Sat. Night Concerts this season I stayed for on my Myspace Photo area. If you wanted to check out other pictures, just go to http://www.myspace.com/www.raysrenegade.com ).








































So I finally got the nerve to open the email and got the first glance at either success or failure in trying to get some exclusive photos in 2010. For some odd reason the words “granted permission” seemed to jump out at me from the page and instantly I did the infamous “crab dance” around the room. For I was finally going to get a chance to expand my blog postings again with photos taken within feet of the artists, and with a greater clarity than in my Rightfield seat.























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