Results tagged ‘ Rays/Hess Express Saturday Night Concert Series ’
Dierks Bentley Photo Blog
I was asked by someone last night at the Tampa Bay Rays game after the Dierks Bentley concert if I coiuld provide a few more additional photos that the usual 20-30 that I submit during my concert posting,and I decided to add a few here,plus give you a link to my other site where I store my photos from all the Rays concerts, plus some additional photos hidden in the numerous photo files. So I hope you enjoy this fast journey through Saturdays night’s Rays/ Hess Express Saturday Night Concert event again and also take a moment to mosey over to the link and see some additional photos.
Hope you enjoyed this fast romp back into the past last night at the Rays concert. I have got to go get ready to head out to the Trop for the series deciding game between the Rays and Marlins, butI will throw up ,y review of the Dierks Bentley concert soonand hope that you mosey on back and check it out. But, before I head off into the Rays sunset,let me throw out a link to my photo storage area where you can stroll through last night’s concert file, and maybe check out some of the other photo files hidden on this website. Catch ya’ll at the Trop.
Nelly Made the Trop Smolder with Heat
I headed to the Tampa Bay Rays Saturday afternoon game wearing my jeans, an old Disney character polo and of course, my old Air Force Ones. It wasn’t Nostalgia Day or even 80′s Day, it was my own way of celebrating Hip Hop Night at Tropicana Field. Think about that wording for a minute…Hip Hop at the Trop…..Word to your Mother!
People seem to forget if it wasn’t for Nelly’s emerging talent at the mic he, Nelly might have made his way someday onto the Field Turf of the Trop on his own as a baseball player. He had some mad skills in the middle infield growing up and could turn the corner on a double play like his idol, former St. Louis Cardinal Hall of Famer Ozzie Smith.
And as soon as the ball settled into the Tropicana Field stands, and the team concluded their on-field Team Meeting with Aybar as the guest speaker, then it was Aybars turn to get a ceremonial shaving cream pie to his face and head and begin getting in Nelly mode. I was already feeling the rhythm and the pulse of the bass to get out on the field and take a spot where the photos would fall like rain, and the crowd would swing in unison to the verses and song of the minstrel named Nelly. But I made a cardinal sin ( at least in my book).
I had a photographer’s pass from the Rays and I wanted to get deep into the action, so I posted up on a L-shaped corner in the right end of the “Mosh Pit”. At that moment it just seemed like a natural move and perfect move going from shooting the Rays first concert from the middle sections for John Fogerty, to right behind the VIP section during ZZ Top, to down in the pulsating action and sea of motion of the proverbial front row. It seemed like a natural progression….But a hasty mistake on my part.
For I had put myself in the eye of the swallowing storm on the wrong side of the steel barriers. I have been in the front rows tons of times before, but not with a camera, and surely not with a group of most teens to 20-ish fans who wanted to move and groove to every single sound wave of beat or vocals coming out of the supercharged bass system right in front of the assembled mass. From the first deep drumbeat from the DJ, there was pushing and shoving from the side and back as people began to crush forward wanting a taste of Nelly and the music.
But then again, I would have done the same thing myself 20-odd years ago. Well, I know I did. And the audience was definitely transfixed as the beats got deeper, and the crowd behind me got more animated and pulled into the rhythm and music. Out of the 480 photos I took that night, I had to trash about 200 photos due to the hands in front of the camera lens or small waves of motion around me that caused the photo to appear out of focus produced by my arm and shoulder constantly getting hit during filming. But I took the commotion and the frustration in stride as I got popped like a pinball for a few songs but within me I now wished I had taken a position on the stage side of the barrier.
But the music was the center of everyone’s attention tonight as even some of the Rays players like Carl Crawford,Dioner Navarro, Reid Brignac, Joaquin Benoit, Matt Garza and B J Upton swayed and rocked to the beats while doing their own version of Nelly Karaoke on the West side of the stage region. Upton seemed to be totally into the concert as you could see him singing the words and doing his own set of dances to the beats. It was great to see the players having as much fun as the Rays fans that night.
And it is sometimes weird that Hip Hop has now been around long enough to have Nelly “classics” like “Ride Wit Me“ , “Air Force Ones” and “Batter Up“. I still remember watching the first broadcast of MTV at a college viewing party complete with free MTV swag and music until we left transfixed by this new style of selling the music to the public. How much we have all grown accustomed to this video and music combination that now most of us never hear the song without also seeing a video interpretation of the song at the same time.
And from the moment Nelly first emerged wearing a stylish white Rays T-shirt, the crowd on the field and in the stands were immediately consumed by the tunes and the chatter from Nelly. From his classic Nike Air Force Ones on his feet, to the diamond-encrusted dog tags, and glittering diamond watch bevel, Nelly was quickly transporting us to a part of St. Louis with his music we would never venture into alone. We were taken instantly into Nelly-ville, and he was the Mayor and the man that was definitely large and in charge.
And the Trop almost seemed to take flight the moment Nelly as his crew began to sing ” E.I.” as well as ”C
ountry Grammar“. The moment the first beats hit the speakers, the entire crowd began systematically swaying and singing to the tunes. It was definitely a well needed audience participation segment, and the assembled crowd did not disappoint as it rang out loud to an almost deafening level all around me. But people forget, it was not all about the music tonight.
But people forget it was not entirely about the music tonight as there was a large amount of young and older women inching towards the front of the stage area hoping to catch an eye glance with Nelly or getting some sort of savoring trinket to take home and cherish forever. At that moment you knew the focus and the attention was firmly bulls-eyed on Nelly as the player of the moment. When one of his crew announced he had a gig later that night at a local St. Petersburg nightclub, it was the assembled women who screamed and quickly asked the surrounding people the 5 W’s of finding this club. Nelly was in full effect, and the ladies were going to be in massive tow tonight at the Push Lounge.
And with that announcement, Nelly had just found the perfect segway to pop into his classic “Hot in Here” as he quickly removed his Rays white t-shirt and threw it straight into the teeth of the crowd as people frantically pulled and yanked and finally separated the t-shirt into two sections before it fell into someone’s hands firmly encasing the prized possession for the night like a prized jewel. It was a white Rays gift from one of the Hip Hop chosen ones, and it now had to be guarded and cherished from that moment.
And as Nelly let the crowd know about his forthcoming album to be released some time this Summer you could feel the crowd letting go a bit knowing their dream might end soon. Usually when a singer or group mentions this tidbit, it is nearing the end of the concert. And when he asked for three volunteers from the audience the sound was deafening as every woman within reach of the stage began cheering and more than eager a chance to be on stage with the Hip Hop icon. Three women were finally selected and it was the beginning of some interesting final moments to the concert.
Nelly even gave one of the chosen ones a photo opportunity of a lifetime as she snapped a photo with her phone of Nelly facing her with the screaming crowd behind him. Then he quickly quizzed them as to their singing abilities and then broke into his tune “Dilemma” which he did originally as a duet with former Destiny’s Child singer Kelly Rowland.
The girls instantly fell into the rhythm and the rhymes of the song and began to sing and dance along with Nelly and his crew. It was one of the slowest moments of the concert, but helped the crowd recharge a bit before the night ended too soon for so many in the crowd. People wanted to hear every song from all his album in his unique styling that some have called a ”Missouri Twang”.
The night quickly condensed into a meandering of unforgettable song hooks based on schoolyard songs with double-dutch chants. But what is amazing is the simple fact most people do double dutch lyrics as a rap, while Nelly has primarily done them in song, which is a major reason so many see him as a Hip Hop icon. The night was truly an adventure into Nellyville (also the title of his 2nd album) that I will not soon get out of my head.
But that is the thing about great music no matter what the format or lyric style. If it is good, it stays with you for a while and maybe drills into your subconscious for a future moment or even visual stimulation brings it out again for a great memory. People say that Rap or Hip Hop artists are this generation’s storytellers. They give their versions of the action and stories of life through their musical lyrics and prose. Nelly is a great example of this sage of wisdom and urban existence being told through music. And through it all, we also get a chance to see life through Nelly’s eyes.
ZZ Top Photo Blog…Extended Cut
I got about 15 Emails and Direct Messages yesterday asking me to post a second photo blog of the ZZ Top Tampa Bay Rays Concert last Saturday night, and of course I am more than willing to throw up another 18 photos from my small segment I shot that night. But along with it will come a small story about that night that I hope all of you enjoy.
Before the Rays season began, I was talking with someone up in the Rays Front Office about the possibility of maybe getting an up-close vantage point during the 2010 Rays/Hess Express Concert Series. With some great acts coming into Tropicana Field, I wanted to provide a bit of extra photos and concert review that might entice other Rays fans who had not seen one of these Concerts to come down to the ballpark for the remaining 8 Rays concert dates.
So I came up with the idea of maybe submitting my name into the Rays Communications Department as a Photographer for the Concert series in 2010. The idea did have some basic merit as I decided in 2010 to try and get the bulk of my photos and special shots myself instead of using the stock photos or daily photos submitted by the wire services. And I had a pretty fool-proof plan, or so I thought at the time. I did not want access to the field for pregame photo opportunities, or even position myself in one of the photos wells on each side of the dugouts.
So I submitted my name and credentials request to the right person and awaited a hopefully positive answer concerning my request. I got back an answer that did not rattle me, but showed that the road was not going to be bright and yellow, but I had to have a bit of luck on my side. For the Rays had to submit my name to the band’s management team and either I would be approved or denied a photo credential to take photographs of that band performance.
I actually thought in the beginning this might be a smart way to proceed because hundreds of fans would be on the Tropicana Field turf taking the same photos and videos without the band’s consent. I was banking on the fact I was being honest and upfront to be my entry into this special world.
So I submitted my request for the first concert when John Fogerty was going to play a week or so ago. I got a denial letter back from the Rays Communication Department and was a bit humbled by my idea going through 100 percent without a problem. But I also did not take it as a total slap in the face, but as a wake-up call to either get serious about this adventure, or forget it all and take photos from my seat with a telephoto lens.
I shot my photos of the Fogerty concert and was not totally impressed with them and knew that I had to again grind it out and hope to get access to the field to take photos of ZZ Top when they came into Tropicana Field. So again I submitted my email to the Rays Communication staff and was very anxious to see if it was “Strike Two” or if I might have actually cut the mustard and gotten a chance to show my stuff.
The minutes did feel like hours and I was constantly checking my email box every hour hoping that I would get a chance to give the Rays some confidence I was going to use this to do positive things and not use it as a tool to use or abuse my credentials. Finally an email came back from the Rays Communication Department, and I at first did not want to open it for fear of that second “X” high above my head. But I also had the confidence that someone in one of the ten band’s management teams might give me a shot in 2010 to do something special.
I got my first green Rays photographer credentials the afternoon of the concert from the Media Table at Gate 4 and instantly could have gone to field level and enjoyed the pregame festivities, but I wanted to chill and just enjoy the game and after the contest take some great photos of the band. No agenda on my mind but taking post-game concert photos. But it was a special moment in my mind. Sure it will not guarantee or even get me anything in the way of priority from that moment on, but the thought that I finally achieved it and brought back some great shots is enough for me.
The night was incredible for me. Not only did I get a chance to provide some of my first photo credits of a concert date in 2010, but I had the time of my life reliving and revisiting every song that ZZ Top sang and played that night. And it was special to again get down on the field again and be a part of the Rays/Hess Express Saturday Night Concert experience.
Sometimes moments in your life just seem to come out of the blue that provide a different direction for you. On that night, on the floor of Tropicana Field, I again saw that I love doing my posts and taking photos for other to enjoy. I again got to remember and feel why I wanted to work for the media as a kid, and wanted to again feel that rush of accomplishment and knowing I provided some extra information to others that would never have been given if not for my photos or posts. I remembered why I loved to write again….And that is a scary thing.
There was Nothing “Cheap” about ZZ Top

Saturday Night after the Rays Republic had to endure the Tampa Bay Rays second loss in a row, the air within Tropicana Field quickly became charged and energized knowing that within a few minutes a recent inducted member band of the Rock and Roll Hall of Fame would be taking the stage and tranforming Tropicana field into a bluesy West Texas dive bar/Rock and Roll palace for the next few hours.
Transforming the Rays playing field into a makeshift concert venue, it was instantly apparent by the LED video screen attached to the back of the stage area that we would get a light show with our musical meal. And believe me, the crowd was ready for a sampling of everything that ZZ Top was going to put on out plates last night, including a few nice tidbits from their past, their musical influences, and most of all their long and deep list of classic tunes we all still rock out to in our cars while driving towards Tropicana Field for Rays games.
But little did the Tropicana field crowd know that within seconds of the Rays dimming the lights inside the Trop, we would all get a instant re-education in why these 3 Texans will always have a place deep within our hearts when it comes to classic Rock and roll music with a distinctive blues flare. From the totally wild and elaborate ZZ Top drums stand, to the video replays of their classic video clips on the stage-wide LED screen behind the band that showed classic black and white photos and color imposed video clips all throughout the concert bringing a swirling bit of musical and visual imagery that was intoxicating to say the least. The trip that the band was going to take us on tonight was going to be an epic visual and audio snack that we would all savor and relish long after the last note was played tonight.
For I know personally I spent many a day in the weight rooms during both High School and College lifting weights and doing stretching exercises to the deep pumping of the bass and the isolation of the electric guitar rhythms to get me into a pattern of working hard and producing a great sweat. And even listening to them tonight I got an instant flashback to those days, and I truly can tell you, the music sounds the same now as it did so long ago.
For if the trio of Dusty Hill, Billy Gibbons and drummer Frank beard were concocting a recipe up on that stage last night, it was based purely on the simple ingredients that has made them VH-1′s 44th ”Greatest Artists of Hard Rock”. From hitting us with the big tastes of “La Grange” and “Sleeping Bag”, to playing a homage to their departed friend Jimi Hendrix, the rocking never stopped and the crowd was singing from the very first verse.
And even if the furry guitars did not get to do a 360 degree turn tonight on stage, the presence of such history making instruments sent the crowd into a loud ovation of approval to the band. And you could tell by the interaction of Gibbons and Hill that these two guys still love their job and do it not only for the nice rewards it brings, but enjoy playing the music and hearing the crowds still. Sometimes that is rare in a group that has been around since February 1970.
And even during all of that 40 years of music, Gibbons still can tell the tale with his voice and make his electric guitar sing like a little school girl. Here is the same band that was inducted into the
Rock and Roll Hall of Fame by none other than Rolling Stones own guitar legend Keith Richards. To say that Gibbons is not the premier blues guitarist is like saying Evan Longoria is just another Third Baseman. The best always makes sure to let their soul show in their music.
And Hill surely is still one of the better bass guitarist of his era and still sports that mean looking beard of his own with pride and joy. But I was amazed that he seemed to have gotten a bit smaller with age, or maybe it is because this is the closest I have even been to this trio in person, and I was totally in the moment watching all three create some great music last night. But the chemistry that still seems to flow between the two of them up front and center on the stage is remarkable to see in person. And the pure fact that both Gibbons and Hill are having a ball on stage performing for us was not lost on the crowd that kept it’s cheering loud and proud by singing right along with the band and the multitudes that were dancing on the turf of the Trop just shows how universal ZZ Top’s music is to this region.
Got to admit to you, I had a woman clearly in her 60′s standing next to me for most of the concert who was so into the music and the moment she was not afraid to thrust and elbow or twenty my direction as I was snapping photos. She even proclaimed at one point I was ” bumming her out” because I was not also hooting and hollering at the top of my lungs like she was tonight.I know she surely had a blast standing up front near the band swaying and crooning to every single tune the band played, even the slow ones.
The night however did seem to slip away from us, but still seemed too early to stop the music, dancing and remembering the moments and times that once co-existed within each of our lives surrounding these hits. Most of us hoped and wished for more music, another tune or two as the band made their way to their 4 Tour buses parked just outside the dome. But ZZ Top did not disappoint a single person tonight, even throwing down their signature bow-legged shuffle during one song.
The night air was very humid outside the Trop when we all finally left the cool confines and hot tunes still lingering inside the stadium. Our ears still ringing with the sounds and the rhythms from all the ZZ Top classic songs played on this night. I suddenly felt like a sharp dressed man, or had a feeling for some Route 66 magic.
ZZ Top truly came out on stage tonight and served up one of the tastiest musical meals to us even with some morsels I had never even heard on the radio before tonight. In the end, it was another great show nput together by the Rays Front Office (BK) to entice and make us all want to come back for some more real soon. With Rap artist Nelly coming to the Trop next Saturday, May 15th, I can surely tell you in all honesty I am hungry and ready for another fine helping of musical delights served up by the Rays/Hess Express Saturday Night Concert Series. Can’t wait to dig in again for more good music and fun.






















































So I finally got the nerve to open the email and got the first glance at either success or failure in trying to get some exclusive photos in 2010. For some odd reason the words “granted permission” seemed to jump out at me from the page and instantly I did the infamous “crab dance” around the room. For I was finally going to get a chance to expand my blog postings again with photos taken within feet of the artists, and with a greater clarity than in my Rightfield seat.












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